‘That doom abided, / but in time it would come’ (Beowulf, lines 83-4)

It is indeed immediately evident to the referee (or listener) of Beowulf, that the song is heavily laden with studys of fate and destiny. I would even go as far as saying that it is partly the weight that these themes kick in that gives Beowulf its rich and beautiful quality.These themes be present throughout the text, for instance the earthly concern of Heorot comes with the prophecy of its doom, with its gables wide and high and awaiting / a barbarous burning (lines 82-3). We are also given the cause for such a fate, namely decline feud between in-laws. The inevitable doom associated with blood feuds, and its associated fratricide, is also present at the end of the text with the wild prediction of the war and destruction of the Geat nation at the Shylfings hands. It is also interesting to note here that the metrical composition is book ended by funerals, final stage being the inevitable finding of fate, and also with prophecy, particularly effective for a contemporary au dience well-read of the outcomes of such prognostications.However, it is in the episode of Beowulfs controvert against the dragon that we visualize the about signposted manifestation of fateHe was sad at heart,Un devisetled notwithstanding ready, sensing his death.His fate hovered near, unknowable but certain (2419-2421)From the offset, we are told that Beowulf pass on die in this net battle, with the effect of altering our perception of the final fight we see it as tragic and heroic, this warrior king fighting notwithstanding sensing his fate near at hand. This gives the weight to the dragon fight, gives it its grim, poetical beauty. Here fate is expressed as a sense of foreboding, outer to any value judgement. This would have a model familiar to the Germanic custom of wyrd, or doom.However, if this is to be considered as evidence of the Anglo-Saxon concept of doom, then in the poem we are also able to see the Christian equivalent, which dope perhaps be better referred to as portend providence. In this interpretation of destiny, in that respect is an integral comp unrivallednt of judgement, whereby destiny is set out by perfection. This approach to destiny can be seen at numerous points, for example a comfort sent / by divinity fudge to that nation (13-4). Here we can clearly see the influence of Christian beliefs in the narrative voice of the poet. The evidence of divine intervention can be found elsewhere in Beowulf, for example in his fight against Grendels motherIt was lite for the Lord,the Ruler of Heaven, to redress the balanceonce Beowulf got brook on his feet. (1554-6)This has the effect of showing that all outcomes are ultimately attributable to God, here reinforcing the positive characterisation of Beowulf by essentially saying that God is in support of him.The poet was here faced with a challenge when intertwining the themes of Christian providence and pagan wyrd, namely how do you tell an essentially pagan story of a warrior her o while staying true to a tell theological belief?In reply, we can identify several features of the Beowulf poem that allow a satisfactory reconciliation of these apparently antithetical themes. The introductory is an identification of Beowulf and the other Germanic pagan heroes with God through their showd hold to evil. An exemplification of this is that Grendel is intimately associated with sin and hell, for example in the description of him as a fiend out of hell (100) and the passagehe had dwelt for a timein misery among the banished monsters,Cains clan, whom the Creator had outlawedand condemned as outcasts. (104-7)Therefore, if Beowulf represents the persecute factor that destroys the evil of Grendel and his mother, then by implication he is set as an agent of God, an important point as it demonstrates that he is beneath the influence of providence whilst still subject to his doom.In a get along of ways the heroic characters are distanced from the paganism that they his torically must hold, in particular they adhere to characteristically Christian formulas of worship. An example of this is They thanked God / for that easy crossing on a calm sea (227-8), which is instantly recognizable as an un-pagan thanksgiving to the providence of a single God. Indeed, throughout Beowulf there are signs that these pagans worshiped a monotheistic precursor to Christianity, rather than the polytheistic flawlessness worship that would be extremely difficult to excuse from a Christian viewpoint.Thomas D. Hill points out that this would allow an approach similar to after humanists, such as Dante who placed such figures as Aristotle, Cato and Rifeo (all pagan) variously in hell, limbo or heaven. This in turn has the effect of allowing the providence theme to sit alongside that of doom because the distancing of the heroic characters from paganism conversely allows their more believable association with Gods fate.To further this effect, there is a selective encultura tion of Christian sources into the poem. This is exampled by the numerous references to the Old Testament, in particular to the laundry of Giants e.g. and the giants too who strove with God (113) and to the original sin and banishment of Cain for the murder of Abel (105-114). This enables a listener from a Germanic culture to more readily claim the Christian overtones, as the Old Testament is notably closer to their own in its values than the New Testament, as well as the characters to be portrayed as what Hill refers to as Noachites, a people possessing the indispensable monotheism of Noah but before the revealed knowledge of God granted to Abraham, Isaac and Jacob, a tradition culminated by the revelation of Law to Moses.Thus, although at one point the poem does iterate that they were damned as pagans because The Almighty Judge / of good deeds and bad, the Lord God, / was unknown to them (180-3) (which is possibly explained as an interpolation), it enables the poet to sugges t that these pagan heroes could, in fact, be fated for salvation by God and in death go to heaven, such as Hrethel who chose Gods light (2469).Thus, we can see how the poet of Beowulf reconciles these twain divergent themes of fate and destiny, on one hand doom and on the other providence. In this respect the poem therefore also represents a much larger scale co-assimilation and synthesis of the Germanic and Christian traditions. The resulting ticket balance struck by the poet between them is highly interesting from a literary viewpoint and also gives the poem an intense and rich atmosphere. lastThus we can see how the poet reconciles these two different strands of fate, on one hand doom and on the other providence. In this respect the poem therefore also represents the co-assimilation of the Germanic and Christian traditions.