American Playwright Charles Ludlam and his impact on the arts world as Research Paper

American Playwright Charles Ludlam and his impact on the arts world as a Ren give birthed Arts Leader - Research Paper Example afterwards this, he wandered to a freak show where he saw a group of armless smuggled dwarves busy painting pictures with their toes.The Catholic Church, with its high pageantry and religious ritual was a prominent posture in his family. Right across the street from his home, there was a movie theater. Ludlam was therefore encouraged to explore his vivid childhood imagination, producing basement and backyard plays and vignettes with other children in the neighborhood (Gary, 2005). Throughout his high school, Ludlam as know as a rebel and outcast and his first formal exposure to theatre was through an apprenticeship in 1958 at the Red Barn Theater, a summer stock company. Here, Ludlam was exposed to the often haphazard, frantic and topsy-turvy theater experience.Ludlam then begun pursuing his interest in theatre arts by travelling to bran-new York where he saw a variety of theatrical entertainment ranging from the commercial to the avant-garde productions to the experimental. The Living theater in particular was of significant motivation and influence Ludlam such that at the age of 17, he founded his own avant-garde arts company which he named the Students Repertory Theater. This was in Northport, New York. afterwards on in life, the multidimensional, prolific artist became responsible for responsible for founding and growing The Ridiculous theatrical performance Company, one of the most unique theater enterprises in America.As the founder of the Ridiculous Theatrical Company, Ludlams work in theatre and film had made him a recognized renowned arts leader. This is mainly because his theatrical work made a break with the existing dominant trends in theatre of down-to-earth settings and naturalistic acting. The introduction of some elements of queer performance to avant-garde theatre was very evident since the administration of Ridiculous Theatrical Company (Wilmeth and Miller, 1996). This was the major stage